![]() ![]() Finally, for the short stories, Dave Taylor’s artwork for ‘How To Succeed in Bizness (Without Getting Caught)’ is gorgeous, a beautiful blend of old-school Dredd and assorted European influences. ![]() Davis uses photo references, which works for everything apart from Dredd himself (or in this case, Rico, his younger clone) who looks like a flesh-coloured Mechanismo droid. Artist Simon Coleby shines in a couple of the shorts (‘My Beautiful Career’ and ‘It’s Your Funeral, Creep!’) and another Simon, Mr Davis, provides his usually impressive art for the Gorden Rennie-penned ‘Prodigal’. John Wagner writes for the dream team of Cam Kennedy and Henry Flint to illustrate, and it looks just as good as you’d expect. Some of the longer – Megazine – one-part stories deserving a mention include ‘Turkey Shoot’, a delight from start to finish, with laughs aplenty. Spoofing Ozzy Osbourne’s reality-TV show is the type of thing that often dates badly and writer Alan Grant and artist Ian Gibson’s satire is heavy-handed and poorly executed. ‘At Home With The Snozzburns’ is outstanding for all the wrong reasons. Many of the short tales are pretty unremarkable, with some exceptions. Fourteen are one-part tales, though for the Megazine stories that can mean anything from twelve to sixteen pages. ![]() The Complete Case Files 39 contains nineteen stories, ten from 2000 AD, and nine from its companion title, the Judge Dredd Megazine. ![]()
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